Review: DeLeon
Review: DeLeon
DeLeon
DeLeon is the self-titled debut album of the Sephardic Indie-rock band led by Dan Saks. The group’s progressive sound is instantly ingrained on the listener from the first note of the album. The concept of the album is fresh and distinctive, while still managing to retain the essence of the Sephardic experience. By using complex Spanish and middle-Eastern percussion and electronic rhythms along with Ladino, Hebrew, and English lyrics, DeLeon brings the Sephardic culture to the forefront of the urban Jewish music scene. By changing languages within the songs, DeLeon not only appeals to a broader audience, but also adds authenticity and respect for the culture behind the music.
I was immediately drawn to this musical genre so well defined by DeLeon. While the vocals are great, I like the way the Electric Guitar lines mix with the Keyboard electronic effects, the strong Percussion rhythms, and Spanish-infused Trumpet.
The opening song, Yodukha Rayonai, is the probably the best known on the album. It is Percussion-driven and sets the tone for the album right from the opening notes in the Electric Guitar. This is contrasted nicely with the Piano lines between the vocals.
If there were a title track for the album, I would have to say it would be La Serena. For me, this song gets to the heart of DeLeon. It has all the elements that make the group great. It again starts with strong Percussion, Ladino and English lyrics, and Guitar. Then Trumpet is added to reinforce...
